The Black and White World of 1984 Seen Through Dark Eyes Essay Example for Free

The Black and White World of 1984 Seen Through Dark Eyes Essay The black and white world of 1984 seen through dark eyes The cafe scene by Salvador Dali was painted in the mid 1900’s and it depicts two people sitting down for a drink is the primary image but there is a secondary image of a skull that is created by the first image of the people. The paintings beauty and story can be related to George Orwell’s novel 1984 which is a love story about a futuristic science fiction society that is completely controlled by the government. Death was referred to several times in the narrative and it ultimately became the main character Winston’s destiny. Winston’s love for the character Julia ultimately became his demise. One may say the painting cafe scene by Salvador Dali and 1984 relate through love, death, and the shades of black and white. Salvador Felipe Jacinto Dali I Domenech was born in Spain. As an adult, he made his home with his wife. Many of his paintings reflect his love for Spain. Dali’s painting the cafe scene was painted in the early 1940’s and reflects nightmares in â€Å"moontide† (history of art 1). By the time of his death, Salvador Dali had become one of the world’s most famous artists. Many of his paintings hang in many of the world’s great museums. The general public embraced his work more than that of other artists. Dali’s paintings and other artistic creations clearly reflected the growing importance of the subconscious on the arts during the modern era. During a career that lasted more than six decades, Dali emerged as one of the most popular and influential painter’s within the Surrealist movement. He became one of many influential artist of the twentieth century, noted not only for his painting but also for numerous other creative parts (Salvador Dali). Dali painting uses shades of black and white to show death, and sorrow sadness these are all words that can describe the society of George Orwell’s 1984. Death can be seen in the painting with the image of the skull and in 1984 with the thought police as said by Winston â€Å"Thoughtcrime does not entail death: thoughtcrime is death† (Orwell 28)if you are caught by the thought police you are better off just killing yourself. Winston and Julia both went against the party and they’re crime sent them to the ministry of luv witch is a section of the government that deals with laws. Death is everywhere in the painting and in 1984. Sorrow and sadness are easily seen in both 1984 and cafe scene, sorrow is seen in the colors of the painting and in the crying eyes of the skull. Sadness is seen in the novel with Winston’s life at the beginning of the story, his life is described as bleak and terrible the story states that he lived in an apartment complex that reeked of old cabbage and was just dirty. His life at the beginning seemed sad and he seemed as if he didn’t want to live it. Sorrow is also seen in the end when he thinks he was going to die in the ministry of luv, when O’Brien released the rat’s that was a time a sheer terror and sadness. Doing actions such as protesting having sex go against the party is often compared to as death was said by the main character Winston â€Å"At the sight of the words I love you the desire to stay alive had welled up in him† (Orwell 110). Love is almost forbidden in the society of Oceania, this and Dali’s painting show how love may be equal to death. The skull shows death while the two people having drink can demonstrate love and those two people could be seen as Winston and Julia. Winston and Julia have a love that is frowned upon by the society and by the government, and if they are to confess their love it will most certainly be their death. 984 and â€Å"cafe scene† clearly relate through love by displaying two people sitting down and drinking. Those people can be compared to and seen as Winston and Juliet, Winston and Juliet fall in love through anything but normal fashion. The way these people fall in love is through sheer chance, Winston dreaming of killing Juliet, when he told Juliet about his thoughts of bashing her head in with a brick and raping her she just laughed this is close to a sign telling the reader they are truly in love. Love is a key component that is seen in â€Å"cafe scene† and in the narrative of 1984. Black is compared to death, evil, and mystery; black is a mysterious color associated with fear and the unknown. Black is not a color, It is the absence of all color. When people speak of opposites, it is usually in terms of black and white. Black, and its opposite white, represents poles. Black absorbs all parts of light. While white opens up, black shuts down. It has come to mean disclosed, fearful. It is linked to the unknown or the unseen. In times of fear and uncertainty black contains the energy of the threatening unknown. It usually has a negative feeling to it, black contrasts well with bright colors such as white. The painting has a large amount of black inside of it and that black tells a story about all the death and secrecy in the world of 1984. In Oceania it is futile to go against the government because the house always wins, Winston and his lover had tried to fight against the system in their own way and they failed. This failure had been the cause to Winston’s death. The amount of secrecy in Oceania is infinite, actions the government uses are kept secret. all the reasons they do it is a secret and the reasoning behind the reasoning is a secret. The color of black can correlate to 1948 through death and secrecy. White is compared with light, goodness, innocence, and purity. It is considered to be the color of holiness and perfection. White means safety, purity, and cleanliness. As opposed to black, white usually has a positive feel. White is not a color, but the overall binging of all color. In many cultures it represents openness and truth. White has a cold quality but at the same time a warming one. It has a feeling that you can move toward anything and overcome any obstacle. Winston is almost an innocent person in 1984 he is a random man who goes through his day in day out routine until he is given a chance to fall in love and change everything in his world. At one point in the novel he feels as if nothing can stand in his way even the government and this is when he defies it and does as he pleases. This shows the correlation between the shade white and 1984. Bothe classic pieces of art changed the way people thought in those fields of art. Orwell had inspired many writers with his dis-utopian society ever since his release of 1984 back in the 1940’s. Many stories have copied a type of society in their stories such as starship troopers and other literary works of art, Dali’s art also influenced painters with his use of cubism and realism. The work of Orwell and Dali still influence the world today even after their deaths and their works show love, death and they can also show the shades of black and white.

Order to create comedy Essay Example for Free

Order to create comedy Essay Bob Acres is seen as a comic character within The Rivals and this is for various reasons. He communicates a contrast between town and country, which immediately depicts Acres as a target for humour. I want my audience to find sympathy with the character and his nai ve attitude towards town life, this will be achieved by Acres creating comic moments within scenes and becoming a victim. For the role of Acres I feel he would be a small man, in build and height with an attractive face. This would emphasise his cowardice, particularly within the duel scene. I would like Bob Acres mannerisms and movement to take on an effeminate, almost foppish characteristic, yet I would like the character to appear uncomfortable with taking on these mannerisms as it will create the effect of comedy with Acres not fully being able to take on town life and show his country booby characteristics. I feel Acres accent should have a slight lilt of a Northern accent, again to create humour and show his country origin. With Acres having an accent, I think this would make his endeavour at imitating the speech patterns of town life more comic as the stereotype carried with the accents completely contrasts his speech pattern, particularly when using his genteel sentimental swearing If I were to perform the role of Bob Acres I would employ various styles of comedy to create the comic effect of Acres on the audience. Physical, visual comedy would be the key style, concentrating on the characters physicality. As Acres is trying to fit in with the town lifestyle his costume would be the foremost source of comedy that the audience would recognise. The Rivals is a comedy of manners and in the period in which it was written fashion was seen as very important. Wigs were worn and the dress style was very loud and flamboyant. When the audience first meet Acres I would want to create the impression of a country bumpkin immediately so that the next time he is introduced the contrast will be great therefore causing much humour. In Act 1 I would have materials such as tweed and very exaggerated styles associated with people who live in the country. To contrast this I would want my costume to be greatly exaggerated using absurd colours such as purple and yellow silk, with a great deal of lace trimming to represent Acres outlandish approach. I would also uses wigs to represent his outrageous take on fashion, by using a very large, sensational wig. The effect I wish to have with this is once the audience have discovered the humour and comedy of Acres they would rake pity on the character. It would also allow the audience to see Acres disastrous attempt at becoming a man of fashion. At heart I feel Acres is a good hearted man and would play him thus, this is show in his perseverance to fit in with his friends, Absolute and Faulkland. This simplicity of the character again creates sympathy between the actor and the audience, mainly due to the comedy created by him. Acres also has a range of scenes when interacting with characters that would help create comedy. In Act 2 Scene 1 in Captain Absolutes lodgings, Acres relays information about Julia to Faulkland. I would have Acres does this in a very jovial tone, making of use hand movements and open body language to exaggerate Julias merriment. This would show Acres tactless, clumsy nature as he would be oblivious to Faulklands reaction, the audience however would see the effect it had on him and finding it a comic moment. The audiences sympathy would spark again from Acres naivety. Although Acres appears to be ridiculous in his behaviour he does try to maintain the concept of honour by challenging Ensign Beverly to a duel. This in turn proves to show more of the cowardly humour within him. When he is talking to Jack Absolute I would play Acres as being very nervous and uneasy, trying to show a guise of false bravery. This would add to the humour of the scene as his attempts at trying to be brave would be failing, which the audience will recognise and find humour within it. At closer inspection of Acres discomfort the audience again would be made to feel sympathy with this character. The final duel scene within the play would also reinforce the characteristics. He would again show his nervous characteristics by trying to avoid fighting and showing his inexperience at duelling. Firstly when Sir Lucius is trying to show Bob the distance the duellists must stand from each other, when this is happening I would have Acres trying to get as far away from the gun as possible, firstly by walking as far from Lucius as possible, and running around him dodging the barrel of the pistol. When Acres takes the pistol, I would play him very apprehensive of holding the pistol, having a limp wrist when holding it so it would droop to show Acres inexperience again. This would also create humour within the audience as the visual comedy would be almost farcical and highly entertaining as well and creating sympathy for the character and his tense situation. I feel the comedy would assist in this characters portrayal as any victim of humour can manipulate the audience, particularly if they display and innocence similar to Bob Acres.

Geographical Analysis of Nankana Sahib, Pakistan

Geographical Analysis of Nankana Sahib, Pakistan Introduction of Nankana sahib: A brief history of city: This city was named after the first Guru of Sikhs Guru Nanak Dev Ji. It is capital of Nankana Sahib District. This city has historic significance regarding religion because Guru Nanak Dev Ji spread the light of the universal message to this world so it is a city of high historic and religious value and is a popular pilgrimage site for Sikhs from all over the world especially India. (http://www.sgpc.net/historical-gurdwaras/gurdwaras_in_pakistan.asp, 2011) It is bounded by Hafizabad on North and located about 75 kilometers south west of Lahore and about 55 kilometers east of Faisalabad and Its Southern boundary is formed by district Okara. (http://nha.gov.pk/?option=com_contentview=articleid=403%3Anankana-sahibcatid=62%3AtourismItemid=82showall=1, 2011) Earlier the township was known as Rai-Bhoi-Di-Talwandi and was renamed after the birth of Guru Nanak as Nankana Sahib. Formerly the area around Nankana Sahib was a tehsil of district Sheikhupura District. In 2005 the Punjab Government decide to rear the status of city as a District. Climate and soil conditions of city: â€Å"The climate of the city is subject to extreme deviations. From the middle of December to the middle of March the air is very moist or cold and light to moderate rain falls at intervals. The season of the winter rains is followed by a hex of very pleasant weather. In April the temperature rises fast and the two consecutive months are very hot. Towards the end of June Monsoon conditions appear and during the following two and a half months spells of rainy weather alternate with intervals of hot oppressive weather. The average rainfall in the district is about 635 mm. The upland or the Bar in the North West, in the natural condition, is a level prairie thickly dotted over with a stunted under-growth of bush jungle. The Bar Soil is popularly known as Missie. The low land along the river Ravi has light soil. The central portion which is the Deg Valley has stiff soil. Stiff soil is either Rohi or Kallarathi depending on the salt (kallar) contents.† (Awan, 2009) Geographical limits: lat Administrative limits: Formerly the city was a tehsil of Sheikhupura District. In May 2005 the Government of Punjab decided to raise the status of the city as a District with an aim that the economic condition of city along with the surrounding areas lift because it is a pilgrimage center for Sikhs from all over the globe. There is development especially of road network along all the city. Changes has been made in the administrative bodies of city form tehsil to district level administration. Nankana Sahib District is administratively sectioned into three tehsils. Nankana Sahib Sangla Hill Shahkot On 1 December 2008, Safdarabad was reattached to Sheikhupura District. (http://www.dawn.com/news/138586/nankana-becomes-district, 2005) Development in Nankana city: Private impresarios and State Government have planned to develop Nankana Sahib District with various projects, including: A rest house for Sikh pilgrims A new International Hotel for the people of the district A shopping mall A housing scheme A modern hospital A road-link to the Lahore and Faisalabad dual-carriageway District Complex Nankana Sahib The International Guru Nanak University The prospect for development of an airport has been outstretched in the district Nankana Sahib. The Government of Punjab has decided to link the city with provincial capital Lahore. (http://punjabroadways.gov.in/amritsar-nankanasahib.htm, 2006) Departments in Nankana district: District Education Department District Health care Department District Police Department District Law and Order Department District Agriculture Department District Finance Department District Development Department District Transportation Department District Infrastructure Department District Telecommunications Department District Human Right Department Deputy District Officers Religious Department Election Commission Department NADRA Department Tehsil Municipal Administration Department Wapda Department Industrial Department District Fishers Department District Forest Department (http://en.wikipedia.org/wiki/Nankana_Sahib_District#Clans_settled_in_District_Nankana, 2011) Demography and Language: According to the 1998 census of Pakistan Punjabi is spoken by 98% population of the city. Shahmukhi script is mostly used by natives but Nankana Sahib is one of few cities of Pakistan where the Gurmukhi dialect is also understood by the locals. The Punjabi dialects spoken in the district are; Majhi dialect which is spoken by the majority of district. Malwi dialect spoken by the migrated people from India Punjab. Urdu is also used and spoken as national language in the offices and education centers and English is also spoken and understood by educated people. According to Punjab Development Statistics 2008, total population of Nankana Sahib District is 1,466 thousands persons out of which 762 thousands are males and 704 thousands are females. Density of population in the district is 539 persons per square Kilometer. Muslims are in greater in population size 97% of population is Muslim and only 3% are Sikhs. Tehsil wise rural and urban population is given in the table: TOWN-WISE DISTRIBUTION OF URBAN RURAL POPULATION NAME OF TOWN POPULATION (THOUSAND PERSON) URBAN RURAL TOTAL Nankana Sahib 79 705 784 Safdarabad 54 210 264 Sangla Hill 58 138 196 Shahkot 45 177 222 Total 236 1230 1466 Source: Punjab Development Statistics 2008. (Awan, 2009) Infra-structural facilities: Communication network: A) Road links. The city has 1289.84 kilometers metaled roads in length. There has been different plans of construction and development in the city regarding roads for connecting it with big cities like Lahore, Sheikhupura, and Faisalabad through metal roads. For this purpose the government of Punjab is completing an interchange at Khangah Dogra on M-2 motor way which is connecting Lahore with Islamabad and is almost 5kms away from city Nankana. This project will help in development of newly formed district. This interchange will also give access to the Grand Trunk Road which is leading towards Indian Punjab from Wagah Border. A Nankana Sahib-Amritsar bus was initiated by Prime Minister Manmohan Singh of India for Sikhs. B) Rail linkage. There are three major Rail heads in the district, including Nankana Sahib, Safdarabad, and Sangla Hill. Through these linkages the city has been connected to Lahore and Faisalabad districts. A train from Amritsar India via Wagah Border Lahore also came to Nankana city. Power supply station: There are 9 grid stations in the district varying in capacity between 66 KV to 132 KV. Telecommunication exchanges: The district has 30 telephone exchanges operating with varying capacity from 50 lines to 7822 lines. Mobile phone services of different networks are also available. Social infrastructural Facilities in the District: SOCIAL INFRA-STRUCTURAL FACILITIES TEHSIL PRIMARY/MIDDLE/ HIGH SCHOOL COLLEGE HOSPITAL POLICE STATION RAILWY STATIONS POST OFFICE BANKS Nankana Sahib 732 3 1 7 3 8 33 Safdarabad 210 0 0 2 4 2 10 Sangla Hill 129 2 0 2 4 2 9 Shahkot 145 2 0 2 0 3 13 Total 1216 7 1 13 11 15 65 The following table is showing the details of social facilities in the district on Tehsil level; Source: Punjab Development Statistics 2008 / Respective District Offices. (Awan, 2009) Natural resources: Agriculture: Main crops. Rice, sugarcane, and wheat are the main crops cultivated in the district. The production of crops between years 2005-06 to 2007-08 are given in the table below; PRODUCTION OF MAIN CROPS (2005-06 to 2007-08) Crops PRODUCTION (M.TONS) 2005-06 2006-07 2007-08 Sugarcane 667 850 941 Wheat 414 411 451 Rice 173 164 180 Source: Directorate of Agriculture, Crop Reporting Service, Punjab. (Awan, 2009) Besides, Maize, Bajra, Cotton, Mash, Mong, Jawar, Masoor, Oil seeds such as Mustard, Sun Flower are also grown in minor quantities in the district. Main fruits: Guava and Citrus are the main fruits grown in the district which are cultivated there production during the period of 2005-06 to 2007-08 is given below in the following table: Production of Main Fruits (2005-06 to 2007-08) Fruits Production (M.TONS) 2005-06 2006-07 2007-08 Guava 24298 33644 29527 Citrus 16285 10400 9443 Source: Directorate of Agriculture, Crop Reporting Service, Punjab. (Awan, 2009) Besides other fruits including Mango, Banana, Litchi, Jaman and Phalsa are also grown in minor quantities in the district. Vegetables: Carrot, Cauliflower, Potatoes, and Onion are main vegetables grown in the district their production during the years 2005-06 to 2007-08 is shown in the table given below; Production of Main Vegetables (2005-06 to 2007-08) VEGETABLE Production (M.TONS) 2005-06 2006-07 2007-08 Potatoes 2059 3618 2896 Carrot 10558 9854 10311 Cauliflower 21859 17602 17553 Onion 14109 14218 13222 Source: Directorate of Agriculture, Crop Reporting Service, Punjab. (Awan, 2009) Besides Turnip, Peas, Tomato, Chilies and Garlic are also cultivated in the district in minor quantities. Forests: About 1.3 % of the total area of the district is under forests, which is an area of 1068.16 Hectares. There is also plantation of 955 Kilometers of tress in linear pattern alongside the roads/rails/canals in the district. Kau, Phalai, Kikar and Shisham are types of trees grown in the district. Livestock: Animal population. The main animals which are in the district are Goats, Sheep, Cattle, and Buffalos and their population is shown in the table given below, Animal population ANIMAL POPULATION ANIMAL POPULATION (Thousand HEADS) Goats 256 Cattle 130 Sheep 39 Buffaloes 401 Source: Punjab Development Statistics 2008. (Awan, 2009) Poultry population: According to Punjab Development Statistics 2008 there 62 layer and 386 Broiler poultry farms in the district having capacity of 229 thousands and 9653 bird respectively. There are also 4 breeding farms having capacity of 510 thousand birds. Available Hides/Skins from Slaughter houses: In year 2006-07 animals which were slaughtered in the recognized or un-recognized slaughter houses are 51000 animals which is sound estimate of availability of hides and skins in the district as per 2008 Punjab Development Statistics. The availability of slaughter house by – products is estimated as under:- Blood 17.65 M.TONS Bones 86.10 M.TONS Tallow 17.91 M.TONS Wool production: The total population of sheep is 39 thousand heads in the district from which approximately 39 M.TONS rough wool is produced annually. Literature review: Introduction: One of the most important and touchy issues of our time is utilization of energy resources. Energy provisions are compulsory to improve the infrastructure, transport, roads, industry, and construction of buildings to quicken the development of country. Pakistan is meeting severe challenge of energy deficit due to enormous increase in demand, growth of industrial zones, increment in population growth rate, poor organization of energy resources, deficient plans, devoid in implementation of policies regarding energy. (Munir, 2006) Researches in past: In past work has been done on solar panels in fields of remote sensing and GIS in different parts of world. A few of them are discussed over here, â€Å"A research on the topic Satellite remote sensing for identification of solar potential sites in Pakistan has been made. The study area is located at between longitude 62 and 75 degree east and latitude 24 and 37 degree north. Material and methods: satellite images were used in this study to identify the solar potential sites in Pakistan. Satellite data of NOAA was used which has focus on conditions of oceans and the atmosphere data which was free available on their website. Images from year 2005-2009 were selected of months including June, July and August these months were selected because these are monsoon months with maximum cloud cover. Precipitation data of following months having been collected from Meteorological department Pakistan. Data interpretation and analysis: ENVI and GIS are the main software packages that are employed for this satellite imagery analysis. Data Processing: Geo referencing Enhancement Selection of area of interest for classification (ROI) Supervised Classification (maximum likelihood method) Subset (Using Pakistan Boundaries) Vector comparison Composite (Monthly Maps) Data analysis: In order to find out least cloudless area, UNOIN operation has been performed which was most appropriate for combing cloud cover vector layers of different years and resultant vector layer shows the area with and without cloud cover. Final step involve to overlay the Pakistan district vector layer on each UNION layer, which provides location of least cloudless district in Pakistan. Results and conclusion: The results indicated that Dera Ghazi Khan and Multan have maximum potential for solar sites in whole Pakistan. While Quetta is selected to be a city receiving maximum solar radiation. Cholistan desert has been quite favorable for solar energy harvesting. In spite of having a huge potential of energy resources, Pakistan still remains an energy scarce country and has to heavily depend on imports to fulfill its energy demands.† (Ahmad, Aziz, Wahid, Basir, 2013) â€Å"A research on the topic A Simple Solar Radiation Index for Wildlife Habitat Studies has also been made. Study Area: They illustrated the use of SRI (solar radiation index) is an example application in which they tested for niche separation among bighorn sheep, elk, and mule deer during winter along a single environmental axis. The Gardiner Basin area of northern Yellowstone winter range (NYWR) USA. Houston and Despain gave the detailed description of area. The elevations in the area ranged about 1500m to 3350m. Methods: Solar radiation Index is derived by them by using the general equation for hourly extraterrestrial radiation striking an arbitrarily oriented surface. Relationship to Hill shade: Ciarniello et al. (2005) calculated hill shade values using a digital elevation model DEM and ArcGIS 8.3 version used those values as surrogate for solar radiation. The hillshade index was difficult to evaluate because algorithm for calculating hillshade is not given. Ungulate Niche Separation: They calculated slope and aspect from 30 m DEM and determined the density of use by bighorn sheep, elk, and mule deer from radio telemetry data gathered in previous studies. Results and discussions: In both comparison of relationship to hillshade with different values of azimuth and elevation they observe inexplicable behavior in values of hillshade. For all species examined winter use was concentrated in locations receiving relatively high levels of solar radiation. They found no difference in allocation of winter use by bighorn sheep and elk with respect to solar radiation. Our SRI is designed to enhance wildlife habitat models containing a solar radiation component by reducing noise improving interpretability and minimizing the number of model covariates. Ultimately this promotes greater understanding of the determinants of wild life habitat relationships and in turn improved decision making by wildlife managers.† (Vore, Ibry, Keating, Gogan, 2007) â€Å"Work regarding solar radiation calculations has also been made on the following topic: The Calculation of Solar and Net Radiation in Mountain Terrain, There is at present a need for reliable data on fluxes of solar and net radiation in hilly terrain. This paper develops a model which uses cloud temperature data to obtain above radiation fluxes in a mesoscale mountainous environment at Risdon Tasmania. The model was tested against climatological measurements of solar radiation in a horizontal area and was found to be satisfactory. Extending the test into a mountainous terrain is not practicable since measurements of solar and net radiations in such environment would be disturbed by the high forest and vegetation cover. The model must be viewed as an estimation of the solar and net radiation input into the vegetation-soil system. Diffuse solar radiation is an important component of solar radiation flux in this cloudy and temperate marine climate. Due to its isotropic nature diffuse solar radiation minimizes spatial differences in solar and net radiation receipt. Considerable interception of direct solar radiation occurs in winter time and therefore differences in solar and net radiation receipt are highest then. In winter time north facing slopes will receive the highest radiation while south facing slopes are largely in shadow and receive mostly diffuse solar radiation. Conclusion: This paper has indicated a method for estimating incident direct, diffuse and net radiation in mountainous terrains. The model has performed adequately when tested against climatological estimates of direct and diffuse solar radiation on a horizontal surface. The results leave open several paths of research. Transmission of radiation through the vegetation canopy could be studied in this mesoscale terrain. Also important are the implications of these results to the meso-scale water balance. Pan evaporation correlates well with net radiation (Kirkpatrick Nunez, 1980) which implies that approximate microscale water budgets could be obtained in the study area if the assumption is made that precipitation is constant. In summary, it is felt that the study of the incident radiation must represent a first step in under-standing the energy exchanges between the surface and the atmosphere in this complex environment.† (Nunez, 1980) â€Å"Research has also been done regarding solar radiation calculation on the topic named as: Modeling a Solar Radiation Topoclimatology for the Rio Grande River Basin.

Character Analysis of Hedda from Henrik Ibesens Hedda Gabler Essay

Character Analysis of Hedda from Henrik Ibesen's Hedda Gabler Henrik Ibsen's play Hedda Gabler portrays the life of a young newlywed woman named Hedda and her attemps to overpower the people around her. Ibsen succsessfully depicts the very masculine traits that Hedda displays throughout the play with not wanting to conform to the feminine ways or the accepted stereotypes of her gender in her society. Hedda's marriage to her husband, Mr. Tesman, only increases her desire for power because it is a constant re- minder that she now "belongs" to Mr. Tesman which Hedda resents. Hedda considers her life to be boring and finds solace in playing with her father's pistols, which is considered not a thing for a young lady to do and a very inappropriate form of entertainment for a woman. Hedda is a person that displays characteristics of masculinity and jealousy, and is shown to be very unconcerned about the fellings of others she may incounter. The play begins with Miss. Tesman, Mr. Tesman's Aunt, greeting her nephew after his six month wedding-tour. They speak briefly about his journey, and Miss. Tesman comments several times about his new beautiful wife and how lucky he is to have been the one that was choosen out of all her other suitors to carry off the lovely Hedda Gabler. Soon after Hedda enters the room, she has already insulted Tesman's Aunt by implying that her bonnet is the servants: Hedda-"Look there! She has left her old bonnet lying on the chair" Tesman-"But Hedda, thats aunt Julia's bonnet" Miss Tesman-"Yes, indeed it's mine. And, what's more it's not old, Madam Hedda" (Act I). Hedda again shows her disconcern when her husband tries to show her the slippers that his aunt has made for him as a gift: Hedda- "Thanks, I really don't care about it" Tesman- "Only think-as ill as she was, Aunt Rina embroidered these for me. Oh you can't think of how many associations cling to them" Hedda - "Scarcely for me"(Act I). Hedda pretends to befriend Mrs. Thea Elvsted ( a schoolmate from her youth) in order to solicit her confidence about her situation with an old friend of Mr.Tesman and an old flame of hers, Eilert Lovborg, who was a drunk back in the day, but has cleaned up his act and has recent... ... manuscript and burns it, thus destroying Lovborg and Thea's work and altamitly their relationship. Lovborg arrives at the Tesman house where Thea has stayed the night. He lies and tells her that he has torn the manuscript into pieces because he has torn his own life into pieces, after hearing this Thea, in a state of dispare, leaves the house. Once alone with Hedda, Lovborg confesses that he has lost the Manuscript, but could not bring himself to tell Thea because her pure soul was in that book. As he begins to leave, Hedda gives him one of her pistols as a "momento" and tells him to do it beautifully, as though she knew he felt he had nothing to live for. Brack arrived later that day with the news that Lovborg was dead, and that he still had the pistol on him when he was found, and that he knew it was one of Hedda's pistols. He tells her that she would be able to avoid scandal only if he did not tell the police he knew who the gun belonged to, but that meant being in his power, at his beck and call, his slave, and that is something Hedda just could not live with, so she excuses herself, goes in the next room and shoots herself dead. Character Analysis of Hedda from Henrik Ibesen's Hedda Gabler Essay Character Analysis of Hedda from Henrik Ibesen's Hedda Gabler Henrik Ibsen's play Hedda Gabler portrays the life of a young newlywed woman named Hedda and her attemps to overpower the people around her. Ibsen succsessfully depicts the very masculine traits that Hedda displays throughout the play with not wanting to conform to the feminine ways or the accepted stereotypes of her gender in her society. Hedda's marriage to her husband, Mr. Tesman, only increases her desire for power because it is a constant re- minder that she now "belongs" to Mr. Tesman which Hedda resents. Hedda considers her life to be boring and finds solace in playing with her father's pistols, which is considered not a thing for a young lady to do and a very inappropriate form of entertainment for a woman. Hedda is a person that displays characteristics of masculinity and jealousy, and is shown to be very unconcerned about the fellings of others she may incounter. The play begins with Miss. Tesman, Mr. Tesman's Aunt, greeting her nephew after his six month wedding-tour. They speak briefly about his journey, and Miss. Tesman comments several times about his new beautiful wife and how lucky he is to have been the one that was choosen out of all her other suitors to carry off the lovely Hedda Gabler. Soon after Hedda enters the room, she has already insulted Tesman's Aunt by implying that her bonnet is the servants: Hedda-"Look there! She has left her old bonnet lying on the chair" Tesman-"But Hedda, thats aunt Julia's bonnet" Miss Tesman-"Yes, indeed it's mine. And, what's more it's not old, Madam Hedda" (Act I). Hedda again shows her disconcern when her husband tries to show her the slippers that his aunt has made for him as a gift: Hedda- "Thanks, I really don't care about it" Tesman- "Only think-as ill as she was, Aunt Rina embroidered these for me. Oh you can't think of how many associations cling to them" Hedda - "Scarcely for me"(Act I). Hedda pretends to befriend Mrs. Thea Elvsted ( a schoolmate from her youth) in order to solicit her confidence about her situation with an old friend of Mr.Tesman and an old flame of hers, Eilert Lovborg, who was a drunk back in the day, but has cleaned up his act and has recent... ... manuscript and burns it, thus destroying Lovborg and Thea's work and altamitly their relationship. Lovborg arrives at the Tesman house where Thea has stayed the night. He lies and tells her that he has torn the manuscript into pieces because he has torn his own life into pieces, after hearing this Thea, in a state of dispare, leaves the house. Once alone with Hedda, Lovborg confesses that he has lost the Manuscript, but could not bring himself to tell Thea because her pure soul was in that book. As he begins to leave, Hedda gives him one of her pistols as a "momento" and tells him to do it beautifully, as though she knew he felt he had nothing to live for. Brack arrived later that day with the news that Lovborg was dead, and that he still had the pistol on him when he was found, and that he knew it was one of Hedda's pistols. He tells her that she would be able to avoid scandal only if he did not tell the police he knew who the gun belonged to, but that meant being in his power, at his beck and call, his slave, and that is something Hedda just could not live with, so she excuses herself, goes in the next room and shoots herself dead.

The Awakening and Butterfly Burning Essay -- Literature Comparison Pap

The Awakening and Butterfly Burning The summaries do not add anything to the paper and could (should) have been skipped. Given the thesis of the paper, I would have liked to have seen a discussion of the male / female conflict, and a more detailed discussion of the individual / society conflict. The two women's struggles "to find their own sense of individuality" are, after all, attempts to free themselves from the expectations of their husbands and of the societies in which they live. Such an exploration might have led the writer to some conclusions about the major differences in the two novels. (Note that the conclusion basically summarizes similarities.) The writer of the paper might well have come to conclusions different than those I am about to describe -- the following comments, in other words, are meant to suggest the type of discussion that I would have liked to have seen. Edna's husband (The Awakening) is financially much better off than is Phephelaphi's (Butterfly). He is, however, portrayed as not particularly loving -- he prefers to spend his time either at work, or gambling with his friends. Phephelaphi's husband spends time away from her, but he needs to do that in order to earn a living. Indeed, Edna's husband is basically indifferent about whatever she does. Phephelaphi's seems to care more about her, but he is clearly upset about her abortion. This leads, if I remember correctly, to his having sex with another woman, just the opposite of the situation in The Awakening, where Edna is the one whose extra-marital affairs are emphasized. Edna is, throughout the novel, much freer from her husband than Phephelaphi is from hers. Phephelaphi's is, in other words, the more difficult marital situation. ... ...hin both novels. In Butterfly Burning, Fumbatha was older and more experienced in the ways of the world than was Phephelaphi. Conversely, in The Awakening, Robert was younger than Edna and much less experienced in life than was Edna. The age differences played key roles in each novel. Age seemed to be the difference in how the world was viewed and the responsibilities required of each person. In Butterfly Burning the man was the older, seemingly settled, and wiser where in The Awakening, the man was younger and much less worldly, settled, and content. 28 In summary, both novels were a reflection of a woman’s struggle and quest to find a new identity for herself. Both novels use water as a symbol of life, death, and a gentle friend. The novels were both an awakening of the spirit and a burning of a spirit crushed like the fragile wings of a butterfly.

Land Ethic :: essays research papers

The land ethic is a holistic view of ecosystems. It entails an entire view of a biotic community to include all of nature, not just the individualistic components which incorporate our environment. Great efforts would be taken by supporters of the ‘land ethic’ to support an ecosystem that was threatened. The individual components that comprise the ecosystem are not of great concern to supporters of this theory; they would argue that a threat to an individual organism, even protected or endangered, should be evaluated on whether or not the protected or endangered species does endanger the integrity of the whole system. A supporter of the land ethic argument would have consequences to weigh regarding the value of the threatened individual and how it relates to the survival of individuals of the group. If the group were to suffer a threatening blow that could affect the livelihood or existence of members of the controlling group one would expect that the threatened organis m could be evaluated for possible â€Å"non-protection†. In contrast, a Respect for Nature ethic believes that any animal or living organism should be protected because that organism is deserving of its own individual worth; the fact that it is protected or endangered would be of little concern to these supporters. The simple fact that an individual is threatened is more than sufficient to justify that great efforts be taken to protect that individual entity. The Respect for Nature ethic followers would argue that every organism is worthy of protection because of an inherent worth that entitles that entity to protection from destruction.   Ã‚  Ã‚  Ã‚  Ã‚  If society were to take either side of this argument, there would be consequences. To take the land ethic view, our current use of the land for farming and raising livestock would change and our view as the conqueror of the land would change to more towards a â€Å"biotic citizen† or a member of the land community.

A Feministic Reading Of Donnes Poetry English Literature Essay

To analyze seventeenth century literature, one can barely overlook John Donne and to read done literature, one can non ignore his love sonnets through which Donne ‘s position of love and how he viewed the adult females of his clip, as the object of this love, can be scrutinized absolutely. However, one facet remains changeless ; Donne seldom lingers over the adult female ‘s physical visual aspect, and leaves the reader to presume that the adult female in Donne ‘s verse form is a shady figure, the object or contemplation of male desire, or a sex object to be circulated for the exhilaration and amusement of Donne ‘s male groups. Beauty was merely a thing that happened by opportunity and is accordingly, as Donne concludes, of no existent worth. Not merely was beauty of no existent worth, but neither were the females themselves. These ideals were set forth chiefly by mediaeval and early-modern Christians, who found several justifications for adult females ‘s lower status in the narratives of Genesis and the New Testament ; 1 ) adult female was created after adult male, and hence adult male must be more perfect ; 2 ) Eve ‘s function in the autumn suggests pride, that she was governed by passions, and that adult females ‘s beauty and gender made them possible corrupters of adult male ; 3 ) adult females were clearly expected to be subservient to their hubbies ; and 4 ) as the ‘weaker vas, ‘ adult females possessed non merely less physical, but less mental strength than work forces. Though there were so many statements against the female sex, the female physical ( non needfully sexual ) organic structure and psyche was held in the highest respect, particularly the abovementioned thought of the female as â€Å" vas. † John Donne expanded this thought in his poesy, composing about adult females in a manner that degraded their physical organic structure, their mental and emotional capablenesss, and their relation to the male sex. Women, in John Donne ‘s eyes were seen as a necessary portion of the male-female, body-soul connexion but were unsafe every bit good. Womans, in the 16th and 17th centuries were believed to transport merely every bit much truth – and secrecy – as work forces. Womans were vass that could be filled ( with anything ) ; this capacity non merely made adult females appealing, but made them unbelievable agents of any force, good or bad. The relationship between organic structure and psyche, a relationship Donne regarded as one of common necessity, was the specifying bond of his life. His experiences ( of friendly relationship, love, wellness, unwellness, work, leisure ) were all conditioned by the interactions between the two parts of the ego. As a poet and a curate, the physical and the religious, the male and the female, the layman and the Godhead were inexorably linked for Donne, and were ever carried into his poesy. To obtain farther grounds of how Donne, every bit good as his talkers, views the female organic structure, one must look closely at his poesy ; for illustration, Donne ‘s verse form â€Å" Air and Angels. † This verse form addresses the struggle of Love within the spirit and the organic structure. The verse form begins: â€Å" Twice or thrice had I loved thee, / Before I knew thy face or name ; / So in a voice, so in a shapeless fire † ( 1-3 ) In another verse form, â€Å" The Extasie, † Donne states that â€Å" Our soules, ( which to progress their province, / ere gone out, ) hung ‘twixt her, and mee./ And whil'st our soules negotiate at that place, / Wee like sepulchral statues ballad † ( 15-18 ) . Asserting this anterior belief that souls/spirits can go forth the organic structure to mix with other psyches, Donne carries this belief to the lines in â€Å" Air and Angels. † Possibly how he ‘met ‘ his lover, their psyches negociating far from their physical organic structures, Donne ‘s talker in â€Å" Air and Angels † believes his spirit met his lover ‘s spirit ( a voice or shapeless fire ) while their organic structures lay elsewhere. Despite the talker ‘s declaration that the female was disembodied and â€Å" shapeless, † and merely as psyches are required to take a organic structure, the talker needs to concentrate upon the human signifier ( as sim ply an empty outline/container ) in order to make full it with whatever he chooses, in this instance his love. The female lover addressed is the concrete incarnation required to finish this relationship. The talker describes the determination of the physical being and their first meeting in the 5th line: â€Å" Still when, to where 1000 wert, I came, / Some lovely glorious nil did I see † ( 5-6 ) . When the talker came ( physically ) to where his female lover was, a â€Å" glorious nil † did he see. This interesting line becomes a sexual wordplay sing the female genital organ. If we look back at Galenic theories of foetal development, ( Galen, a outstanding Roman doctor, philosopher, and accomplished medical research worker ) we find that 2nd century doctors believed that the female was an inferior version of the male. Despite multiple grounds for this, one ground was universally accepted ; the female was an â€Å" undercooked † male for the parts that are indoors in adult female are outside in man.The outgrowth of the phallus in male foetuss was an look of â€Å" doneness † in foetal development. Since the vagina remained inside the female foetus, Galen a nd co-workers understood this to intend the female foetus was non â€Å" done. † Therefore, the female genital organ were nil, a â€Å" glorious nil, † and an interestingly present absence. As a consequence, the talker supposes that he must make full that empty infinite, that absence, within this lover ‘s organic structure. He utters, â€Å" Since my psyche, whose kid, love is/ Takes limbs of flesh and else could nil make † ( 7-8 ) . Because the kid of the psyche is Love, Love needs a corporeal organic structure ; a place. Love must take a organic structure, so the talker asks Love to â€Å" presume thy organic structure, I allow, / And repair itself in thy lip, oculus, and forehead † ( 12-14 ) . Her organic structure is the container for Love, and the talker must come to acknowledge and love her physically. Other footings throughout the verse form that suggest her organic structure is simply a container are â€Å" ballast † and â€Å" tender † ( a little boat ) as in: â€Å" Whilst therefore to ballast love I thought, / And so more steadily to hold gone, / With wares which would drop esteem, / I saw I had love ‘s tender overfraught † ( 15-18 ) . In the verse form, Donne expresses that the talker ‘s love is excessively much for the female ; that he invades her and â€Å" love ‘s tender is overfraught † ( 18 ) . What should hold been a stabilising weight ( Love ) was emotionally unwieldy for the bantam vas. The talker had intended to stabilise love ‘s boat with wares which would drop an undistinguished ship of mere esteem, but alternatively had overloaded even Love ‘s ship ( a more powerful abstraction than mere esteem ) , unbalancing the really Love which he meant to maintain safe. The concrete and physical specifics were excessiv ely overpowering for human love, which can non inhere ( be portion of something natural and built-in ) in discorporate liquors. Here, Donne reasserts his passionate belief that one can be neither merely affair nor merely spirit ; one must capture both. Therefore, neither can Love happen its permanency in â€Å" nil, † nor in the appendage or glare of passion or beauty as the talker states, â€Å" For, nor in nil, nor in things/ Extreme, and dispersing bright, can love inhere † ( 21 ) ( Nutt 24 ) . In the concluding lines: â€Å" Merely such disparity/ As is ‘twixt air ‘s and angel ‘s pureness, / ‘Twixt adult females ‘s love, and work forces ‘s, will of all time be † ( 26-28 ) , Donne stresses the Elizabethan sentiment that there will everlastingly be a duality between a adult male and a adult female ‘s love. A adult female ‘s is more fugitive and sacred, yet harder to capture and more widely sought after, hence, le ss â€Å" bodily † and more â€Å" spirit-like. † These factors besides make her love less stable. A delicate balance is required to non merely maintain Love afloat, but to non overburden it every bit good ; even the most carefully placed, but lopsided ballast can easy tip the tender of Love. In â€Å" Air and Angels, † the female organic structure is highly misunderstood, and described as a mere container for Love to busy. Although look up toing adult female for her ownership of a sacred and widely sought-after Love, the full verse form relies upon the female signifier and the fact that it is uninhabited and can easy be filled with a assortment of things. The transforming regard of the witness, need non be constrained by an being outside the organic structure. In imaginativeness at any rate, it might be possible to sail into the organic structure which could therefore look as a topographic point of infinite infinite, a topographic point with infinite possibilities ( 140 ) . Sadly, this filling is non done of her ain will, but of the male talker ‘s ; she must digest his use and idealistic position of love, and addition nil in return save an overfraught tender. And in Donne ‘s verse forms, we seldom hear the female voice, or learn of Love from the female position. In the bulk of Donne ‘s verse forms, the talker is male, and the audience is preponderantly male. John Donne was a clique poet, significance that he wrote to a choice group of close friends, most likely poets themselves. Writing in an epoch where a female was deemed a lesser being than a male, Donne was entirely following the conventions used by other coterie poets by composing misogynous Hagiographas about adult females from a hypermasculine point-of-view. And though he seldom wrote about Love itself, he did compose about Love in the sense that it was an abstract male-female connexion. Work cited The Norton Anthology of English Literature Volume one, Sixth edition. Abjadian, A. A study of English Literature. Tehran ; 2006. www.wikipedia.com