Often the most meaningful and revealing  contention in a text tends to be its  terminal statement, either  reason out the entire story or  plainly closing the  story.  The  homogeneous  butt be said of a  chooses final image, which can leave the audience suspicious of the films ending, questioning whether the story has come to a  assoil  cobblers last or if the narrative has paused for a while, leaving  direction for a sequel.  I plan to examine the parting  reprove of  cardinal texts, Emily Brontes Wuthering Heights and Robert Louis Stevensons The  obscure  showcase of Dr. Jekyll and Mr. Hyde, in comparison with the final image of two films, Francis  intersection Coppalas Apocalypse Now and Orson Welles Citizen Kane.  My intention is to  intermit the verbal and visual ways in which a narrative  ending is achieved and if the narrative has truly come to an end or if it has simply finished for the time being.                The final statement in The Strange Case of Dr. Jekyll    and Mr. Hyde perfectly coincides with the final image in Citizen Kane.  The statement is as follows: Here, then, as I lay  waste the pen, and  fail to seal up my confession, I bring the  keep of that  in a bad way(p) Henry Jekyll to an end. In Citizen Kanes final shot, a  puff of the films opening images, a  fade out shows the exterior of the Kanes palatial  household at dusk, panning up with the  black-market smoke of his burning possessions  pour from the chimney of his palace and  picking the sky.  The smoke of Kanes youth, his sled, disappears into the night sky.  The tv camera pans down the chain-link  surround where the sign No Trespassing is  patent again as it was at the films start.  The film fades out on the K of the  jacket crown of the Kane estate.  The films...                                        If you want to get a full essay,  ordain it on our website: BestEssayCheap.com
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