Often the most meaningful and revealing contention in a text tends to be its terminal statement, either reason out the entire story or plainly closing the story. The homogeneous butt be said of a chooses final image, which can leave the audience suspicious of the films ending, questioning whether the story has come to a assoil cobblers last or if the narrative has paused for a while, leaving direction for a sequel. I plan to examine the parting reprove of cardinal texts, Emily Brontes Wuthering Heights and Robert Louis Stevensons The obscure showcase of Dr. Jekyll and Mr. Hyde, in comparison with the final image of two films, Francis intersection Coppalas Apocalypse Now and Orson Welles Citizen Kane. My intention is to intermit the verbal and visual ways in which a narrative ending is achieved and if the narrative has truly come to an end or if it has simply finished for the time being. Â Â Â Â Â Â Â Â The final statement in The Strange Case of Dr. Jekyll and Mr. Hyde perfectly coincides with the final image in Citizen Kane. The statement is as follows: Here, then, as I lay waste the pen, and fail to seal up my confession, I bring the keep of that in a bad way(p) Henry Jekyll to an end. In Citizen Kanes final shot, a puff of the films opening images, a fade out shows the exterior of the Kanes palatial household at dusk, panning up with the black-market smoke of his burning possessions pour from the chimney of his palace and picking the sky. The smoke of Kanes youth, his sled, disappears into the night sky. The tv camera pans down the chain-link surround where the sign No Trespassing is patent again as it was at the films start. The film fades out on the K of the jacket crown of the Kane estate. The films... If you want to get a full essay, ordain it on our website: BestEssayCheap.com
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